Ravington (born Temisayo Durojaye) first emerged as part of Nigeria's new wave, ushered by Alte pioneer Santi through his renowned streams. When Santi featured him on the song “Gates of Heaven” in February 2025, fans got their first taste of his sound. He has since proven that his range extends much farther. He seeks to establish himself as a distinctive voice in the modern afrobeats landscape.
Among peers like Mavo, Luwa.mp4, and Zaylevelten, Ravington stands apart. His music reflects old-school afrobeats wrapped in modern production, layered with an introspective depth that suggests wisdom beyond his years. There’s a maturity to his approach, a sense that he’s been here before.
On his newest three-track EP, he offers a window into what he’s been crafting in the studio: what he simply calls “The Sound.”
Ravington opens with “Pray” , a melodic song with potential to be the hit of the whole project. Here, he channels his hunger for success “I used to pray for the days wey MAGA go pay / No be today wey we don dey pray o.” As seen with most of his works, the production commands attention; crisp, layered, and purposeful. The track sets the tone for an EP that balances raw expression with confident storytelling.
“The Sound” finds Ravington full of confidence, spreading the gospel of his artistry with bold proclamations: “You don’t know the Sound but it will go / overseas and over clouds to where it snows.” The assertive production and talk-your-shit energy echo the swagger of contemporaries like Rema in tracks such as ‘Kelebu’ , yet Ravington makes it uniquely his own. This is him planting his flag, staking a claim in the industry.
He closes with “Morph” a self-produced meditation on pain and perseverance.“I would do anything just to cure the pain / I did everything,” he confesses, flexing his rap versatility while bringing the project to a contemplative close. It highlights the balance between the bravado and vulnerability, showcasing the artist’s ability to craft an intimate connection with his audience.
What truly distinguishes Ravington is his hands-on approach to every aspect of his artistry. From production to visual identity, each project cover reflects deliberate thought about how imagery complements sound. In an era of oversaturated streaming playlists and disposable singles, Ravington's 360-degree creative vision is a reminder of the power of world building when artists take full control of their craft.
Beyond its sleek production and lyrical sincerity, ‘The Sound’ represents a pivotal step in Ravington’s evolutions. It’s the sound of an artist finding his land and owning it with conviction. As Nigeria’s new generation continues to redefine what Afrobeats can be, Ravington stands poised to become one of its most inventive voices.
